By DAYANTI KARUNARATNE
There’s a little design shop on Somerset Street West called Jackpine Digital. Here you’ll find the so-called Chinatown Museum — a collection of large signs that once graced neighbouring storefronts. Part decor, part memorabilia, the signs represent the changing streetscape — and what CEO and creative director Liam Mooney calls the “destructive nature” of the design process. After all, the cone of a jack pine tree needs the intense heat of a forest fire to open and release its potential.
Mooney was waiting outside the office — he had lent his keys to another designer — when he spotted a large bright red sign behind a dumpster. Wa Kiu had closed months before; Phuket Royal had yet to open its doors. “Maybe [Wa Kiu] wasn’t the best grocery store, but it was part of the landscape,” Mooney says. After getting the A-OK from the new owner, he hauled the 3-by-14-foot sign in through the fire escape and installed it in one of the main work areas. Upon close examination, it’s clear that the sign was hand-painted, the pencil lines from the stencils still visible after all these years.
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Last year, Mooney traded design services for office space — and furnished it with borrowed pieces from Highjinx, a social enterprise that sells used furniture. Eventually he bought some pieces, but the move to Chinatown called for a new aesthetic (or, as Mooney says, they needed to “break the space”). Enter Malcolm Cairns of FoundDesign and Ken McKay of Furniture Affairs. Cairns gifted a few mid-century modern items to Jackpine; others are loaned on a consignment basis (“We have a strict coaster rule,” Mooney says). McKay will get design services in exchange for a huge custom table and bar. “The generosity — I can’t even begin to understand,” says Mooney.
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